For Korg, I turned a single continuous river recording into something alive. The sound was stretched, granulated and torn apart until the original texture was barely recognizable, then used to drive a real-time particle system built in TouchDesigner: thousands of particles reacting directly to the audio's amplitude and frequency, turning raw destroyed sound into a living visual piece.

A short-format project handled solo, sound design, TouchDesigner particle system, real-time audio reactivity, built as a compact demonstration of sound given a body to move through.